History of gangsta rap

Gangsta rap is a subgenre of hip hop, which developed during the late 1980s. After the popularity of Dr. Dre's The Chronic in 1992, gangsta rap became the most commercially lucrative subgenre of hip-hop. Since then some former gangsta rap artists have moved towards a more pop-friendly mainstream sound.

The subject matter inherent in gangsta rap has caused a great deal of controversy. Criticism has come from both right wing and left wing commentators, and religious leaders, who have accused the genre of homophobia, violence, profanity, promiscuity, misogyny, racism, and materialism.

Gangsta rappers often defend themselves by claiming that they are describing the reality of inner-city life, and that they are only adopting a character, like an actor playing a role, which behaves in ways that they may not necessarily endorse. Some commentators (for example, Spike Lee in his satirical film Bamboozled) have criticized it as analogous to black minstrel shows and blackface performance, in which performers – both black and white – were made up to look African American, acted in a stereotypically uncultured and ignorant manner for the entertainment of white audiences.

Early Gangster themes

The 1973 album Hustler's Convention by Lightnin Rod featured lyrics that deal with street life, including pimping and hustling. The Last Poets member Jalal Mansur Nuriddin delivers rhyming vocals in the urban slang of his time, and together with the other Last Poets members, was quite influential on later hip hop groups, such as Public Enemy. Many rappers, such as Ice T, have credited pimp and writer Iceberg Slim with influencing their rhymes. There has also been a long tradition of gunman-oriented lyrics in some Jamaican music genres, which had a strong influence on South Bronx MC KRS-One.

1984-1990

Schoolly D

Philadelphia MC Schoolly D can probably be credited as the first rapper to use the word "gangster" in one of his songs. In his 1984 12" single "Gangster Boogie"[1] he mentions it with "I shot call a with my gangster lean". He released the 12" single "P.S.K." (short for Park Side Killers) in 1985. In this song, Schoolly D makes direct references to his crew or gang (PSK) as well as describing putting his pistol against another rapper's head.[2] Schoolly D is often considered a pioneer in hardcore rap as well as gangsta rap.

Ice-T

In 1987, Los Angeles based rapper Ice-T released "6 n the Mornin", which is often regarded as the first gangsta rap song. Ice-T had been MCing since the early '80s. In an interview with PROPS magazine Ice-T said: "Here's the exact chronological order of what really went down: The first record that came out along those lines was Schoolly D's 'P.S.K.' Then the syncopation of that rap was used by me when I made Six In The Morning. The vocal delivery was the same: '...P.S.K. is makin' that green', '...six in the morning, police at my door'. When I heard that record I was like "Oh shit!" and call it a bite or what you will but I dug that record. My record didn't sound like P.S.K., but I liked the way he was flowing with it. P.S.K. was talking about Park Side Killers but it was very vague. That was the only difference, when Schoolly did it, it was "...one by one, I'm knockin' em out". All he did was represent a gang on his record. I took that and wrote a record about guns, beating people down, and all that with Six In The Morning. At the same time my single came out, Boogie Down Productions hit with Criminal Minded, which was a gangster-based album. It wasn't about messages or "You Must Learn", it was about gangsterism."[3]

Ice-T continued to release gangsta albums for the remainder of the decade: Rhyme Pays in 1987, Power in 1988 and The Iceberg/Freedom of Speech...Just Watch What You Say in 1989. Ice-T's lyrics also contained strong political commentary, and often played the line between glorifying the gangsta lifestyle and criticizing it as a no-win situation.

Boogie Down Productions

Boogie Down Productions released their first single, "Say No Brother (Crack Attack Don't Do It)", in 1986. It was followed by "South-Bronx/P is Free" and "9mm Goes Bang" in the same year. The latter is the most gangsta-themed song of the three; in it KRS-1 describes shooting rival weed-dealers after they try to kill him in his home.[4] The album Criminal Minded followed in 1987. Criminal Minded was one of the first slbums to feature gangsta rap type themes. Shortly after the release of the album, BDP's DJ Scott LaRock was shot and killed. After this BDP's subsequent records focused on conscious lyrics instead.

Before the late nineties, gangsta rap and hip hop in general, while being extremely popular, had always been seen as a fringe genre that remained firmly outside of the pop mainstream. However, the rise of Bad Boy Records signalled a major stylistic change in gangsta rap (or as it is referred to on the East Coast, hardcore rap), as it morphed into a new subgenre of hip hop which would become even more commercially successful. Ice Cube is seen to have contributed to gangsta rap's move towards conquering the pop charts, as he produced albums which included both gritty gangsta narratives and polished, catchy, danceable pop productions entirely aimed at the clubs and at the mainstream pop charts. Between the release of Biggie's debut album Ready to Die in 1994 and his follow-up Life after Death in 1997, his sound changed from the darker, sample-heavy production to a cleaner, more upbeat sound fashioned for popular consumption (though the references to guns, drug dealing and life as a thug on the street remained). R&B-styled hooks and instantly recognizable samples of well-known soul and pop songs from the 1970s and 1980s were the staples of this sound, which was showcased primarily in his latter-day work for The Notorious B.I.G. ("Mo Money, Mo Problems"), Ma$e ("Feels So Good"), and non Bad Boy artists such as Jay-Z ("Can I Get A...") and Nas ("Street Dreams").

Also achieving similar levels of success with a similar sound at the same time as Bad Boy was Master P and his No Limit label in New Orleans, as well as the New Orleans upstart Cash Money label. A Cash Money artist, The B.G., popularized a catch phrase in 1999 that sums up what the majority of late-nineties mainstream hip hop focused on subject-wise: "Bling-Bling." Whereas much gangsta rap of the past had portrayed the rapper as being a victim of urban squalor, the persona of late-nineties mainstream gangsta rappers was far more weighted towards hedonism and showing off the best jewelry, clothes, liquor, and women. Many of the artists who achieved such mainstream success, such as G-Unit and Jay-Z, originated from the gritty East Coast rap scene and were influenced by hardcore artists such as the Notorious B.I.G and Nas. Ma$e, Jay-Z and Cam'Ron are also typical of the more relaxed, casual flow that became the pop-gangsta norm. Many of these artists are viewed as being rather illegitimately "gangsta" compared to their West Coast counterparts.

Pop-inflected gangsta rap continues to be successful into the 21st century, with many artists deftly straddling the divide between their hip hop audience and their pop audience, such as Ja Rule and Jay-Z. The influence of West Coast gangsta rapper Tupac Shakur on the East Coast rap scene has also become increasingly apparent in the new century.